Saint Ephigenia: when did she become a Black saint?

Recently, at the Cathedral Fortress of Tui, in Galicia, my companions alerted me to what I guess is a 17th- or early 18th-century statue of Ephigenia, an Ethiopian saint associated with Saint Matthew who seems to have first appeared in the thirteenth-century Golden Legend of Jacobus de Voragine. Maybe 30 minutes of research so far shows that she’s well known to scholars of colonialism, race/racialization, and piety. But my suspicion is that this same body of research hasn’t communicated much with the medievalists. I’m certain I’ve missed something, and I’d be shocked if the Hispanicists weren’t on this already. So consider the above statement a hunch.

[next day edit: h/t to Cynthia Hahn for turning me on to Erin Rowe’s work on this. Looks like she has it covered. Two of her articles, which are, presumably, preparatory for her next book, are:

“After Death Her Face Turned White: Blackness and Sanctity in the Early Modern Hispanic World,” American Historical Review, Vol. 121, no. 3 (June 2016): 726-754. [ebsco link, but prob works only for CUNY]

“Visualizing Black Sanctity in Early Modern Iberia.” Invited contribution to: Envisioning Others: Race, Color, and the Visual in Iberia and Latin America, edited by Pamela Patton. Leiden: Brill, 2016.]

Here’s the statue:

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Saint Yphigenia, Cathedral of Tui, Galicia, photo by Karl Steel, July 23, 2019

I’ve tried to make the image as clear as possible, but for someone else’s photo, with more of a snapshot feel, see here.

My hunch was that she’d be light-skinned in her first medieval appearances. The hunch seems to be, at least in part, correct. Examples:

Golden Legend, Bruges, Morgan Library, MS M.672-5 IV, fol. 92 (1445-1455).

The Morgan’s caption explains: “Within second room of architectural setting, Iphigenia and virgins gather as man, standing outside, holds bucket of flames to walls of enclosure.”

Book of Hours, France, Morgan Library, MS M.815 fol. 17v (1471-85)

This one is a bit harder to spot, but I think she’s among the nuns in the upper left-hand corner. From the Morgan’s description: “Hyrtacus denied Iphigenia — Hyrtacus, crowned, with arms crossed on his breast, stands behind five seated nuns, all looking toward Evangelist Matthew, nimbed, preaching from pulpit.”

This post couldn’t be more preliminary. I’m hoping to explore all this further in my Fall Intro to the Medieval Studies seminar at the CUNY Grad Center, by which point, I trust, I’ll have found more images and also, I expect, the scholarship that’s already thoroughly explored what I’m playing with here.

My goal here is to further tease out the history of racialization, and the intertwined histories of gender and sexuality (as I suspect that were Efigenia an Ethiopian male saint, she’d be dark-skinned in the Golden Legend), less for my own scholarship, and more for my teaching.

Further reading includes:

Cheek, Sheldon, “The Black Saint Who Embodied Christianity for the African Masses,” The Root, April 29, 2014.

Maddocks, Hilary Elizabeth, The Illuminated Manuscripts of the Légende Dorée: Jean de Vignay’s Translation of Jacobus de Voragine’s Legenda Aurea (PhD Thesis, U of Melbourne, 1989) (pdf)

Sánchez, Roberto. “The Black Virgin: Santa Efigenia, Popular Religion, and the African Diaspora in Peru.” Church History 81, no. 3 (2012): 631-55 (JSTOR)

Valerio, Miguel Alejandro. 2016. “The Queen Sheba’s Manifold Body: Creole Black Women Performing Sexuality, Cultural Identity, and Power in Seventeenth-Century Mexico City.” Afro – Hispanic Review 35 (2): 79-98

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